LILLIAN HELLMAN AND THE SOVIET THEATER
DOI:
https://doi.org/10.17072/2073-6681-2021-2-132-141Keywords:
Lillian Hellman; USSR; anti-fascist drama; Soviet criticism; dissidents; Watch on the Rhine; The Little Foxes.Abstract
The article examines the contacts of the American playwright Lillian Hellman with the Soviet theatrical world. It focuses on Soviet productions of her plays, recollections of actors involved in those productions, critics’ reviews of the premieres. Hellman’s more than 20-year career in the USSR helps to trace back the changes of Soviet cultural and ideological agenda. Acting as a cultural emissary during the Second World War, Hellman visited Moscow where she was greeted as a dear guest, and her plays were staged by two largest Moscow theaters. With the beginning of the Cold War, her dramas The Little Foxes and Watch on the Rhine disappeared from the repertoire. Surprisingly, Hellman’s play with a conspicuously Western title Ladies and Gentlemen circumvented theatrical censorship amid an anti-American propaganda campaign, although the production received negative reviews from magazine critics. In the 1960s Hellman returns to Moscow again, where she meets Raisa Orlova and Lev Kopelev. Cultural and political landscape of that period was deeply influenced by struggles of the dissident movement, which Hellman deeply sympathized with. She considered Kopelev and Orlova to be people of remarkable courage and integrity since they refused to leave their native Russia despite the risk of being imprisoned and persecuted. That is why the case of Anatoly Kuznetsov who fled to the UK from the USSR infuriated Hellman who publicly disapproved his decision to flee. Hellman wrote and spoke about dissidents back at home in the United States, and she continued to correspond with Orlova almost until her death in 1984. Thus, Hellman’s creative biography represents the trajectory of defecting from the ranks of Soviet sympathizers: starting her career as a pro-Stalinist, she subsequently refused to support Soviet socialism.References
Абросимова В. Мосты: русско-американские связи Раисы Орловой полвека спустя // Литература Двух Америк. 2019. № 6. С. 296–378.
Аникст А. Упадок и разложение буржуазного театра // Буржуазный театр на службе империалистической реакции: сборник статей. М.: Изд-во Акад. наук СССР, 1952. С. 3–30.
Афанасьева О. О добрых и злых плантаторах // Театр. 1949. № 12. С. 95–98.
Бобров Э. Лисички // Вечерняя Москва. 1973. 4 окт.
Бояджиев Г. Берди – Раневская // Советское искусство. 1945. 27 июля. С. 3.
Владимиров Р. Советский театр в оценке печати США и Англии // Театр. 1945. Сентябрь. С. 53–55.
Гиленсон Б. Социалистическая и радикальная традиции в литературе США. М.: ИНФРА-М, 2017. 388 c.
Глизер Ю. Воспоминания. М.: Искусство, 1969. 263 c.
Жданова Л. И. Путь повести Дж. Стейнбека «Луна зашла» к советской сцене // Вопросы театра. 2015. № 3–4. С. 264–272.
Исакова М. Стая Хаббардов на охоте // Московский комсомолец. 1973. 13 окт.
Искусство и война // Советское искусство. 1944. 28 нояб. С. 4.
Коваленко Г. За семью печатями. Чехов и аме¬риканские драматурги: к истории вопроса // Современная драматургия. 2010. № 3. С. 233–253.
Костырченко Г. Кампания по борьбе с космополитизмом в СССР // Вопросы истории. 1994. № 8. C. 47–60.
Крути И. Семья Ферелли обретает мужество // Советское искусство. 1945. 8 марта. C. 4.
Кулаковская И. Лилиан Хеллман. К 50-летию со дня рождения // Советское искусство. 1955. 19 июля.
Лилиан Хелман в Театре драмы // Советское искусство. 1944. 19 дек. С. 4.
Мацкин А. Заметки о спектакле // Советское искусство. 1945. 12 апр. C. 2.
Мендельсон М. Хеллман и Пристли на московской сцене // Театр. 1945. Октябрь. С. 14–19.
Обращение А. Анатоля в ПЭН // Русская мысль. 1969. 25 сент. C. 2.
Половикова К. Во имя справедливости // Огонек. 1945. № 20–21. С. 14.
Постановление Оргбюро ЦК ВКП(б) «О репертуаре драматических театров и мерах по его улучшению». 26 авг. 1946 г. URL: http://www.hist.-msu.ru/ER/Etext/USSR/theatre.htm (дата обращения: 13.02.2021).
РГАЛИ. Ф. 2046. Оп. 1. Ед. 126.
РГАЛИ. Ф. 2548. Оп. 1. Ед. 134.
Рубин В., Каринцев И. Обзор современной американской и английской драматургии // Новый мир. 1945. № 7. С. 109–117.
Arnold M. Lillian Hellman Says She Found Ferment Among Soviet Writers // New York Times. 1967. 31 May. P. 11.
Atkenson B. Hellman’s Watch on Rhine // New York Times. 1941. 13 April.
Conversations with Lillian Hellman / ed. by Jack¬son R. Bryer. Jackson, MS; London: University Press of Mississippi, 1986. 298 p.
Gallagher D. Lillian Hellman: An Imperious Life. Yale University Press, 2014. 171 p.
Griffin A., Thorsten G. Understanding Lillian Hellman. University of South Carolina Press, 1999. 168 p.
Hellman L. Three: An Unfinished Woman; Pentimento; Scoundrel Time. Boston, MA; Toronto: Little, Brown, 1979. 726 p.
Hellman L. Topics: The Baggage of a Political Exile // New York Times. 1969. 23 August. P. 26.
Kopelev L. To Be Preserved Forever. Philadel-phia; New York: Lippincott, Cop. 1977. 268 p.
Maltz A. The Citizen Writer in Retrospect. University of California Press, 1983. Vol. I. 522 p.
Meltzer M. Hollywood Does Right By “The Little Foxes” // Sunday Worker. 1941. August 24.
Mickenberg J. American Girls in Red Russia: Chasing the Soviet Dream. Chicago; London: University of Chicago Press, 2017. 427 p.
New Play in Manhattan // Time. 1941. 14 Apr.
Newman R. P. The Cold War Romance of Lillian Hellman and John Melby. UNC Press Books, 1989. 392 p.
Nichols L. The Searching Wind: Lillian Hellman’s Latest Play a Study of Appeasement and Love // New York Times. 1944. April 23.
Not Now Communist, Lillian Hellman Says // Associated Press. 1952. May 22.
Roosevelt E. My Day. 1941. 21 April.
Southern Women Playwrights: New Essays in History and Criticism / ed. by R. McDonald, L. Paige. University of Alabama Press, 2002. 304 p.
Warner R. On Broadway // Daily Worker. 1944. April 27.
Wertheim A. Staging the War: American Drama and World War II. Indiana University Press, 2004. 352 p.
References
Abrosimova V. Mosty: russko-amerikanskie svya¬zi Raisy Orlovoy polveka spustya [Raisa Orlova’s bridges: Russian-American literary connections half a century later]. Literatura dvukh Amerik [Literature of the Americas], 2019, issue 6, pp. 296–378. (In Russ.)
Anikst A. Upadok i razlozhenie burzhuaznogo teatra [Decline and decay of the bourgeois theater]. Burzhuaznyy teatr na sluzhbe imperialisticheskoy reaktsii: sbornik statey [Bourgeois Theater on the Payroll of Imperialist Reaction: a collection of articles]. Moscow, Academy of Sciences of the USSR Publ., 1952, pp. 3–30. (In Russ.)
Afanas’eva O. O dobrykh i zlykh plantatorakh [On kind and cruel plantation owners]. Teatr [Theatre], 1949, issue 12, pp. 95–98. (In Russ.)
Bobrov E. Lisichki [The little foxes]. Vecher-nyaya Moskva [Evening Moscow], 1973, October 4. (In Russ.)
Boyadzhiev G. Berdi – Ranevskaya [Birdie – Ra¬nevskaya]. Sovetskoe iskusstvo [Soviet Art], 1945, July 27, p. 3. (In Russ.)
Vladimirov R. Sovetskiy teatr v otsenke pechati SShA i Anglii [Soviet theater as assessed by the British and American press]. Teatr [Theatre], 1945, September, pp. 53–55. (In Russ.)
Gilenson B. Sotsialisticheskaya i radikal’naya traditsii v literature SShA [Socialist and Radical Traditions in the Literature of the USA]. Moscow, INFRA-M Publ., 2017. 388 p. (In Russ.)
Glizer Yu. Vospominaniya [Recollections]. Moscow, Iskusstvo Publ., 1969, 263 p. (In Russ.)
Zhdanova L. I. Put’ povesti Dzh. Steynbeka ‘Luna zashla’ k sovetskoy stsene [John Steinbeck’s ‘The Moon Is Down’ on the Soviet stage]. Voprosy teatra [Problems of the Theatre], 2015, issue 3–4, pp. 264–272. (In Russ.)
Isakova M. Staya Khabbardov na okhote [A pack of the Hubbards on the hunt]. Moskovskiy komsomolets [Moscow Komsomolets], 1973, October 13. (In Russ.)
Iskusstvo i voyna [Art and war]. Sovetskoe iskus¬stvo [Soviet Art], 1944, November 28, p. 4. (In Russ.)
Kovalenko G. Za sem’yu pechatyami. Chekhov i amerikanskie dramaturgi: k istorii voprosa [Sealed with seven seals. Chekhov and American playwrights: On the history of the issue]. Sovremennaya dramaturgiya [Modern Drama], 2010, issue 3, pp. 233–253. (In Russ.)
Kostyrchenko G. Kampaniya po bor’be s kosmopolitizmom v SSSR [Campaign against cosmopolitanism in the USSR]. Voprosy istorii [Issues of History], 1994, issue 8, pp. 47–60. (In Russ.)
Kruti I. Sem’ya Ferelli obretaet muzhestvo [The Farrelly family gains courage]. Sovetskoe iskusstvo [Soviet Art], 1945, March 8, p. 4. (In Russ.)
Kulakovskaya I. Lilian Hellman. K 50-letiyu so dnya rozhdeniya [Lilian Hellman. To the 50th birthday]. Sovetskoe iskusstvo [Soviet Art], 1955, July 19. (In Russ.)
Lilian Helman v Teatre dramy [Lillian Hellman in Drama Theatre]. Sovetskoe iskusstvo [Soviet Art], 1944, December 19, p. 4. (In Russ.)
Matskin A. Zametki o spektakle [Notes on a play]. Sovetskoe iskusstvo [Soviet Art], 1945, April 12, p. 2. (In Russ.)
Mendel’son M. Hellman i Pristli na moskovskoy stsene [Hellman and Priestly on Moscow stage]. Teatr [Theatre], 1945, October, pp. 14–19. (In Russ.)
Obrashchenie A. Anatolya v PEN [A. Anatol’s appeal to PEN]. Russkaya mysl’ [Russian Thought], 1969, September 25, p. 2. (In Russ.)
Polovikova K. Vo imya spravedlivosti [In the name of justice]. Ogonek, 1945, issue 20–21, p. 14. (In Russ.)
Resolution of the Organizational Bureau of the Central Committee of the CPSU(b) of August 26, 1946 ‘On the Repertoire of Drama Theaters and Measures to Improve It’. Available at: http://www.hist.msu.ru/ER/Etext/USSR/theatre.htm (accessed 13.02.2021). (In Russ.)
Russian State Archive of Literature and Arts (RGALI). Fund 2046. Inventory 1. Unit 126. (In Russ.)
Russian State Archive of Literature and Arts (RGALI). Fund 2548. Inventory 1. Unit 134. (In Russ.)
Rubin V., Karintsev I. Obzor sovremennoy ame¬rikanskoy i angliyskoy dramaturgii [Overview of contemporary American and British drama]. Novyy mir [New World], 1945, issue 7, pp. 109–117. (In Russ.)
Arnold M. Lillian Hellman says she found ferment among Soviet writers. New York Times, 1967, May 31, p. 11. (In Eng.)
Atkinson B. Hellman’s Watch on Rhine. New York Times, 1941, April 13. (In Eng.)
Gallagher D. Lillian Hellman: An Imperious Life. Yale University Press, 2014. 171 p. (In Eng.)
Griffin A., Thorsten G. Understanding Lillian Hellman. University of South Carolina Press, 1999. 168 p. (In Eng.)
Hellman L. Three: An Unfinished Woman, Pentimento, Scoundrel Time. Boston, MA, Toronto, Little, Brown, 1979. 726 p. (In Eng.)
Hellman L. Topics: The baggage of a political exile. New York Times, 1969, August 23, p. 26. (In Eng.)
Conversations with Lillian Hellman. Ed. by Jackson R. Bryer. Jackson, MS, London, University Press of Mississippi, 1986. 298 p. (In Eng.)
Kopelev L. To Be Preserved Forever. Philadelphia, New York, Lippincott, Cop. 1977. 268 p. (In Eng.)
Maltz A. The Citizen Writer in Retrospect. University of California Press, 1983, vol. 1. 522 p. (In Eng.)
Meltzer M. Hollywood does right by ‘The Little Foxes’. Sunday Worker, 1941, August 24. (In Eng.)
Mickenberg J. American Girls in Red Russia: Chasing the Soviet Dream. Chicago, London, University of Chicago Press, 2017. 427 p. (In Eng.)
New play in Manhattan. Time, 1941, April 14. (In Eng.)
Newman R. P. The Cold War Romance of Lillian Hellman and John Melby. UNC Press Books, 1989. 392 p. (In Eng.)
Nichols L. The searching wind: Lillian Hellman’s latest play, a study of appeasement and love. New York Times, 1944, April 23. (In Eng.)
Not now communist, Lillian Hellman says. Associated Press, 1952, May 22. (In Eng.)
Roosevelt E. My Day, 1941, April 21. (In Eng.)
Southern Women Playwrights: New Essays in History and Criticism. Ed. by R. McDonald, L. Paige. University of Alabama Press, 2002. 304 p. (In Eng.)
Warner R. On Broadway. Daily Worker, 1944, April 27. (In Eng.)
Wertheim A. Staging the War: American Drama and World War II. Indiana University Press, 2004. 352 p. (In Eng.)