VICTOR KOMAROVSKY IN THE NOVEL ‘DOCTOR ZHIVAGO’ BY BORIS PASTERNAK
DOI:
https://doi.org/10.17072/2073-6681-2021-2-111-120Keywords:
Pasternak, Doctor Zhivago, Komarovsky, characters-lawyers, duality, methods of creating an image.Abstract
The article deals with the image of the prominent Moscow lawyer Victor Komarovsky, one of the most negative characters in the novel by Boris Pasternak Doctor Zhivago. We study this character in the aspect of his professional activity, within the system of characters-lawyers and characters-doubles, in terms of the textual component. Being the character present throughout the novel, driving the plot, knowing all the subtleties of Russian legislation and entrepreneurship, Komarovsky is shown primarily in relations with Lara and Yuri, whose moral superiority is unbearable for him. Two motifs – the ‘enslavement of the girl’ and the rivalry with Zhivago, which permeate the entire narrative concerning Komarovsky, are framed by episodes where other characters of lawyers reveal dishonesty of the legal adviser.In creating the character of Komarovsky, Pasternak employs a whole range of techniques such as prospection, assimilation, aposiopesis, recognition, changing points of view, the principle of juxtaposition, speech portrait, reminiscences with the character of Fyodor Dostoevsky, and anthroponyms. All these techniques are intended to unmask Komarovsky as a person who uses the image of a human rights defender in achieving personal goals not only in relations with his principals and their relatives but also with colleagues; these devices expose the professional dishonesty of Komarovsky, who was inaccessible even to higher legal bodies. Another technique that contributes to deheroization of the character is a system of duality. It allows the writer not only to demonstrate the lawyer’s conformism, paucity of his interests, non-involvement in the fate of Russia but also to show activity of Kologrivov and Samdevyatov. Scrupulous work on the character of the lawyer exposes the methods he uses: without revealing himself in any transaction, he ruins a number of largest manufacturers, contributes to the death of their families, adapts in search for ways to wield power.References
Список литературы
Альми И. Л. Традиции Достоевского в поздней прозе Пастернака («Доктор Живаго» в соотнесении с романом «Идиот») // О поэзии и прозе. СПб.: «Семантика С» совм. с изд. «Скифия», 2002. С. 520–521.
Гаспаров Б. М. Временной контрапункт как формообразующий принцип романа Пастернака «Доктор Живаго» // Дружба народов. 1990. № 3. С. 223–242.
Достоевский Ф. М. Полное собрание сочинений: в 30 т. Л.: Наука, 1972–1990. Т. VI. Преступление и наказание. 426 с.
Исаев С. Г. Композиция текста в романе Б. Пастернака «Доктор Живаго» // Филологические науки. 2005. № 3. С. 3–15.
Куцаенко Д. О. Концепт истории как определяющий фактор генезиса персонажей в романе Б. Л. Пастернака «Доктор Живаго»: автореф. дис. … канд. филол. наук. Краснодар, 2011. 22 с.
Павлова Н. И. Принципы композиции романов «Преступление и наказание» Ф. М. Достоевского и «Доктор Живаго» Б. Л. Пастернака // Филологические науки. Научные доклады высшей школы. 2016. № 6. С. 61–76.
Павлова Н. И. Способы создания психологических портретов персонажей в романе Пастернака «Доктор Живаго» // Извести Саратовского ун-та. Новая сер. Филология. Журналистика. 2017. № 1(17). С. 88–93.
Пастернак Б. Л. Полное собрание сочинений: в 11 т. М.: СЛОВО/SLOVO. 2004. Т. IV. Доктор Живаго. 760 с.
Пастернак З. Н. Воспоминания. М.: Классика-ХХI, 2004. 233 с.
Смирнов И. П. Роман тайн «Доктор Живаго». М.: Новое литературное обозрение, 1996. 204 с.
Суханова И. А. Еще раз о лейтмотиве свечи в романе Б. Пастернака «Доктор Живаго» // Ярославский педагогический вестник. 2003. № 3. С. 39–46.
Суханова И. А. Общие мотивы и языковые средства создания образов персонажей Пастернака и Достоевского // Верхневолжский филологический вестник. 2018. № 4(15). С. 120–126.
Птицын И. А. Христианская символика в романе Б. Пастернака «Доктор Живаго»: автореф. дис. ... канд. филол. наук. Череповец, 2000. 18 с.
Успенский Б. А. Поэтика композиции. СПб.: Азбука, 2000. 348 с.
Bryukhanova Y. M. Opposition of Male Characters in the Novel “Doctor Zhivago” by Boris Pasternak: Beauty vs. Freedom // Journal of Siberian Federal University. Humanities & Social Sciences 4. 2013. № 6. P. 508–513.
References
Al’mi I. L. Traditsii Dostoevskogo v pozdney proze Pasternaka (‘Doktor Zhivago’ v sootnesenii s romanom ‘Idiot’. O poezii i proze) [Dostoevsky’s traditions in Pasternak’s late prose (‘Doctor Zhivago’ in relation to the novel ‘The Idiot’. On poetry and prose)]. St. Petersburg, ‘Semantika S’ Publ., ‘Skifiya’ Publ., 2002, pp. 520–521. (In Russ.)
Gasparov B. M. Vremennoy kontrapunkt kak formoobrazuyushchiy printsip romana Pasternaka ‘Doktor Zhivago’ [Temporal counterpoint as a formative principle of the Pasternak’s novel ‘Doctor Zhivago’]. Druzhba narodov [Friendship of Peoples], 1990, issue 3, pp. 223–242. (In Russ.)
Dostoevsky F. M. Polnoe sobranie sochineniy: v 30 t. [Complete works: In 30 vols.]. Leningrad, Nauka Publ., 1972–1990, vol. 6. Prestuplenie i nakazanie [Crime and punishment]. 426 p. (In Russ.)
Isaev S. G. Kompozitsiya teksta v romane B. Pasternaka ‘Doktor Zhivago’ [Composition of the text in the novel ‘Doctor Zhivago’ by B. Pasternak]. Filologicheskie nauki [Philology. Theory and Practice], 2005, issue 3, pp. 3–15. (In Russ.)
Kutsaenko D. O. Kontsept istorii kak opredelyayushchiy faktor genezisa personazhey v romane B. L. Pasternaka ‘Doktor Zhivago’. Avtoref. dis. kand. filol. nauk [The concept of history as a determining factor in the genesis of characters in the novel ‘Doctor Zhivago’ by B. L. Pasternak. Abstract of Cand. philol. sci. diss.]. Krasnodar, 2011. 22 p. (In Russ.)
Pavlova N. I. Printsipy kompozitsii romanov ‘Prestuplenie i nakazanie’ F. M. Dostoevskogo i ‘Doktor Zhivago’ B. L. Pasternaka [Principles of composition of the novels ‘Crime and Punishment’ by F. M. Dostoevsky and ‘Doctor Zhivago’ by B. L. Pasternak]. Filologicheskie nauki. Nauchnye doklady vysshei shkoly [Philological Sciences. Scientific Essays of Higher Education], 2016, issue 6, pp. 61–76. (In Russ.)
Pavlova N. I. Sposoby sozdaniya psikhologicheskikh portretov personazhey v romane Pasternaka ‘Doktor Zhivago’ [Ways of creating psychological portraits of the characters in Pasternak’s novel ‘Doctor Zhivago’]. Izvestiya Saratovskogo un-ta. Novaia ser. Filologiia. Zhurnalistika [Izvestiya of Saratov University. New Series. Philology. Journalism], 2017, issue 1(17), pp. 88–93. (In Russ.)
Pasternak B. L. Polnoe sobranie sochineniy: v 11 t. [Complete Works of B. Pasternak: In 11 vols.]. Moscow, SLOVO Publ., 2004, vol. 4. Doktor Zhivago [Doctor Zhivago]. 760 p. (In Russ.)
Pasternak Z. N. Vospominaniya [Memoirs]. Moscow, Klassika-XXI Publ., 2004. 233 p. (In Russ.)
Smirnov I. P. Roman tayn ‘Doktor Zhivago’ [The novel of mysteries ‘Doctor Zhivago’]. Moscow, New Literary Observer Publ., 1996. 204 p. (In Russ.)
Sukhanova I. A. Eshche raz o leytmotive svechi v romane B. Pasternaka ‘Doktor Zhivago’ [Once again about the leitmotif of the candle in the novel ‘Doctor Zhivago’ by Boris Pasternak]. Yaroslavskiy pedagogicheskiy vestnik [Yaroslavl Pedagogical Bulletin], 2003, issue 3, pp. 39–46. (In Russ.)
Sukhanova I. A. Obshchie motivy i yazykovye sredstva sozdaniya obrazov personazhey Pasternaka i Dostoevskogo [Common motifs and language tools in the creation of the characters in works by Pasternak and Dostoevsky]. Verkhnevolzhskiy filologicheskiy vestnik [Verkhnevolzhsky Philological Bulletin], 2018, issue 4(15), pp. 120–126. (In Russ.)
Ptitsyn I. A. Khristianskaya simvolika v romane B. Pasternaka ‘Doktor Zhivago’. Avtoref. dis. kand. filol. nauk [Christian symbolism in B. Pasternak's novel ‘Doctor Zhivago’. Abstract of Cand. philol. sci. diss.]. Cherepovets, Cherepovets State University Press, 2000. 18 p. (In Russ.)
Uspenskiy B. A. Poetika kompozitsii [The poetics of composition]. St. Petersburg, Azbuka Publ., 2000. 348 p. (In Russ.)
Bryukhanova Y. M. Opposition of male characters in the novel ‘Doctor Zhivago’ by Boris Pasternak: Beauty vs. Freedom. Journal of Siberian Federal University. Humanities & Social Sciences 4, 2013, issue 6, pp. 508–513. (In Eng.)