No. 1 (2020): Филология в XXI веке

Статьи

• CORONAVIRUS COVID-19 AND ITS INFLUENCE ON RELATIONS OF RUSSIA AND CHINA

  Gamerman E. V.

  4 - 8

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• UP-TO-DATE METHODS OF TEACHING RUSSIAN LANGUAGE AS A FOREIGN ONE IN THE SECONDARY SCHOOL (BY THE EXAMPLE OF ON-LINE LESSONS WITH THE SCHOOL “TAIHANGSHANLU”, QINGDAO CITY, CHINA)

  Ren Gengtian

  9 - 14

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• FACTOR OF CHINESE MIGRATION IN FORMING THE FAR EASTERN FRONTIER AS A CONTACT AREA OF THE RUSSIAN-CHINESE INTER-CIVILIZATION INTERACTION

  Zalesskaya O.V.

  15 - 22

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• PERM SOCIETY OF FRIENDSHIP WITH CHINA: HISTORY, FORMATION, MODERN DEVELOPMENT

  Kamenskikh M.S.

  23 - 30

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• THE STUDY OF THE XI JINPING’S CONCEPT OF “RED CULTURE”

  Li Hongyu, Zhang Ronghua

  31 - 40

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• LINGUISTIC PECULIARITIES OF ADVERTISEMENT IN CHINA (THE CASE OF DAIRY PRODUCTS ADVERTISEMENT)

  Apraksin E.N.

  41 - 47

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• PLACE AND ROLE OF THE SLOGAN IN THE POLYSEMIOTIC STRUCTURE OF THE CARS ADVERTISING TEXT

  Wan Ning

  48 - 54

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• CAR VALUES IN THE REPRESENTATION OF THE SPEAKERS OF THE RUSSIAN AND CHINESE LANGUAGES

  Gao Shuai

  55 - 61

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• HOMONYMY IN THE CHINESE LANGUAGE AND ITS INFLUENCE ON THE CULTURE AND TRADITIONS

  Dukhnova M.A.

  62 - 68

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• NEGATIVE LOCALIZATION IN THE SYNTAX SYSTEM OF THE CHINESE SIMPLE SENTENCE

  Koshkin A.P., Koshkin M.A.

  69 - 83

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• FORMATION OF LINGUO-CULTURAL COMPETENCE WITH CHINESE STUDENTS STUDYING RUSSIAN LANGUAGE (ON THE EXAMPLE OF THE THEME RUSSIAN WINTER)

  Karpova T.B., Ma Yunjie

  84 - 90

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• THE IMAGE OF CREATOR IN THE CHINESE LINGUISTIC WORLDVIEW (ON THE MATERIAL OF THE PSYCHOLINGUISTIC EXPERIMENT)

  Pigaleva Mariia

  91 - 96

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• PUSHKIN IN CHINESE POETRY

  Arustamova A.A., Lyu Yankun

  97 - 104

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• TRADITIONS OF OLD RUSSION LITERATURE AND IMAGES OF CHINESE CULTURE IN V. SOROKIN'S STORY «DAY OF THE OPRICHNIK»

  Bulankin D.A.

  105 - 112

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• CONCEPT ‘TEA’ IN RUSSIAN LITERATURE AT THE END OF XVIII-BEGINNING OF XIX CENTURIES

  Burdin I.V.

  113 - 116

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• IMAGE OF FOOLISH IN THE WORK BY V. RASPUTIN AND NOVEL “QIN OPERA” BY JIA PINGWA

  Burdina S.V., Yin Jiejie

  117 - 122

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• IMAGES-MARKERS OF THE MEMORY IN STORY «FAREWELL TO MATERA» BY V. RASPUTIN AND NOVEL «QIN OPERA» BY JIA PINGWA

  Burdina S.V., Yin Jiejie

  123 - 131

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• EAST EMIGRATION IN RUSSIAN LITERATURE 2000–2010 YEARS

  Kondakov B.V.

  132 - 143

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• “CHINESE TEXT” IN RUSSIAN LITERATURE 1920-1930s: SOVIET DIRECTION

  Krasnoyarova A. A.

  144 - 150

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• “CHINESE TEXT” IN RUSSIAN LITERATURE OF THE XXth CENTURY (BY THE EXAMPLE OF E. POLEVOY AND B. PILNYAK WORKS)

  Krasnoyarova A. A.

  151 - 158

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• CHILDREN'S LITERATURE IN CHINA

  Popkova T.D.

  159 - 167

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• CHINESE SONG “LIKE A FLOWER”: POST-SUBCULTURAL TEXT ANALYSIS

  Zhang Hao, Korolyova S.

  168 - 177

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• STUDY OF THE WORKS BY V. PERELESHIN IN CHINA

  Zhang Yuanyuan

  178 - 186

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• CLASSICAL CHINESE NOVEL AS A CULTUROLOGICAL SOURCE

  Chugaev N. V.

  187 - 192

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• TRADITIONS OF A.P. CHEKHOV IN CHINESE LITERATURE OF THE 1950–1990s.

  Shi Shanshan

  193 - 198

  • PDF (Русский)