The Image of the Artist in Roger Eliot Fry’s Essay “Paul Cézanne”

Authors

DOI:

https://doi.org/10.17072/2304-909Х-2023-16-90-96

Abstract

The article is devoted to analyzed the image of the artist Paul Cezanne in the essay of the same name by Roger Fry, which is a retelling of Vollard's earlier work on Cezanne. Recognizing the importance of Vollard for Cezanne as Vasari for Renaissance artists, Fry creates the emotional world of the artist. He describes some of his canvases in terms of form, not color.

Author Biographies

Irina A. Novokreshchennykh, Perm State University

Candidate of Philology, Associate Professor in the Department of World Literature and Culture

Dar'ya A. Kosheleva, Perm State University

Student of the Faculty of Modern Foreign Languages and Literature

Published

2023-06-30 — Updated on 2023-12-29

Versions

How to Cite

Novokreshchennykh И. А., & Kosheleva Д. А. (2023). The Image of the Artist in Roger Eliot Fry’s Essay “Paul Cézanne”. World Literature in the Context of Culture, 16(22), 90–96. https://doi.org/10.17072/2304-909Х-2023-16-90-96 (Original work published June 30, 2023)