Vol. 20 No. 26 (2025): World Literature in the Context of Culture

Статьи

• The Image of a Writer in William Golding’s The Paper Men

  Anastasia S. Abrosimova

  5-14

  • pdf (Русский)

• Critical Representation of America in David Foster Wallace’s Fiction Novels

  Violetta A. Kaiavo

  15-20

  • pdf (Русский)

• Jonathan Coe as Cultural Critic: the Role of Writer in English Society

  Ekaterina I. Kordiyak

  21-30

  • pdf (Русский)

• Postmodern Irony in the Play The Big Three (Yalta 45) by L. Svensson

  Yulia A. Semenova, Elena A. Elena A.

  31-36

  • pdf (Русский)

• The Mystical Basis of the Realistic Plot of E. Gaskell’s Story The Doom of the Griffiths

  Maria Yu. Firstova

  37-44

  • pdf (Русский)

• The Culture of Ancient Egypt in The Cantos by Ezra Pound

  Liudmila V. Bratukhina

  45-54

  • pdf (Русский)

• Visual and Verbal in the System of Images of the Graphic Novel Las Calles de Arena

  Olga I. Danielian, Anastasia P. Cha

  55-61

  • pdf (Русский)

• Reminiscences to S. Bottichelli’s Art in Maid in Waiting by J. Galsworthy

  Varvara A. Danilevskaya, Irina A. Novokreshchennykh

  62-69

  • pdf (Русский)

• Juan = John: Pablo Neruda’s Continental Vision (Based on the Poem Que Des-pierte el Leñador)

  Evgeniia V. Pogadaeva

  70-82

  • pdf (Русский)

• On one Literary Allusion: Joseph Conrad’s Youth and Life Lessons in the Artistic World of Ian McEwan’s Novel Lessons

  Boris M. Proskurnin

  83-92

  • pdf (Русский)

• Medieval Allusions in Michel Houellebecq’s Annihilation

  Inga V. Suslova

  93-101

  • pdf (Русский)

• Ekphrastic Images in Rule of Perspective by Adam Thorpe

  Natalia Y. Tikhonovich

  102-112

  • pdf (Русский)